A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager. But behind the scenes, the group’s sudden fame tests their strength, their maturity and responsibility, and their ability to resist the temptations that money and notoriety always make possible.

You Can't Do That on Television is a Canadian television program that first aired locally in 1979 before airing internationally in 1981. It featured pre-teen and teenaged actors in a sketch comedy format. Each episode had a theme. The show was notable for launching the careers of many performers, including Alanis Morissette, and writer Bill Prady, who would write and produce shows like The Big Bang Theory, Gilmore Girls and Dharma and Greg.The show was produced by and aired on Ottawa's CTV station CJOH-TV. After production ended in 1990, the show continued in reruns on Nickelodeon through 1994, when it was replaced with the similar All That. The show is synonymous with Nick, and was at that time extremely popular, with the highest ratings overall on the channel. The show is also well known for introducing the network's iconic slime.The program is the subject of the 2004 feature-length documentary, You Can't Do That on Film, directed by David Dillehunt.

In the follow-up to the outrageously funny and wildly successful past shows: 2012's "What's Wrong With People?" and 2014's "Aren't You Embarrassed?" comedian Sebastian Maniscalco asks "Why Would You Do That?". Filmed at the legendary Beacon Theatre, Sebastian continues to deliver his signature comedy style that blends high-energy physical acts-outs and hilariously demonstrative facial expressions.

In the follow-up to the outrageously funny and wildly successful past shows: 2012's "What's Wrong With People?" and 2014's "Aren't You Embarrassed?" comedian Sebastian Maniscalco asks "Why Would You Do That?". Filmed at the legendary Beacon Theatre, Sebastian continues to deliver his signature comedy style that blends high-energy physical acts-outs and hilariously demonstrative facial expressions.

Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.

He already has 101 fraudulent methods but now he plans to break into the building of a high-ranking civil servant...

Format has a mini drama throughout. At various times the studio panel give their advise. The final choice which determines the end section is a public phone vote. Shows were prerecorded with 2 alternative ends. The vote and correct end were added live for each TX.

Set on election day, November 2, 2010. Uncle Benjamin’s dog has died, and his nieces and nephew have gathered for dinner in Rhinebeck, New York, to surprise him with a new one. While the polls close, the Apple Family discusses memory, manners, and politics.

Early details are scant, except notice that The Thing That Hurts shoots in Brussels and (per quick translation) “evokes the meeting, following the death of a famous American psychotherapist based in Paris, of some of her patients, who confided in their relationship with the deceased.” Desplechin’s cinema is nothing if not the mingling of memory with grief––these four playing in that world is nearly as sterling a guarantee as the film struggling to receive U.S. distribution. As the result of a 2024 financing initiative, the project likely rolls cameras this year. by Film Stage

Early details are scant, except notice that The Thing That Hurts shoots in Brussels and (per quick translation) “evokes the meeting, following the death of a famous American psychotherapist based in Paris, of some of her patients, who confided in their relationship with the deceased.” Desplechin’s cinema is nothing if not the mingling of memory with grief––these four playing in that world is nearly as sterling a guarantee as the film struggling to receive U.S. distribution. As the result of a 2024 financing initiative, the project likely rolls cameras this year. by Film Stage